Works

 mains-cadre

Orchestra  (20 + players):

 

 

Ensemble (5 – 20 players):

  • Danses sous l’emprise de la peur, d’après Paul Klee (2016-2017), 6′, for solo viola and ensemble (B. Fl, E.H, Ten. Sax, Bar. Sax; Pi, Perc, Acc, Hp.), to be premiered by Ars Nova and Proxima Centauri in July 2017 during COMPOLAB academy.
  • Strophes (2016-2017),  commissionned by Orchestre Poitou-Charentes  , 6′, for wind quintet (with usual doublings) and string quintet. To be premiered in 2019.
  • Vantablack (2016), 7′, For Horn and three instrumental groups (Fl, Cl, Bar. Sax (doubling Sop. Sax), Tbn; Fl, B. Cl, Ten. Sax, Tpt; Perc, Vi, Vc, Db). Written for Briay Conditt and Nebula Ensemble. Premiered in Denver the 15/10/2017.

 

Chamber (2 – 5 players):

  • New work, (2016-2018), 8′, for Flute (doubling Picc.), Clarinet (doubling B. Cl.), Piano, Violin and Cello. Written for Ensemble Fractales. Premiere in Bruxelles during 2019.
  • Power Trio, (2018), for Alto Flute (doubling Picc. and Bass Fl.), Bass Clarinet and Cello. Commissionned by Ensemble Zellig, to be premiered in Chateau de la Roche-Guyon, October 2018.
  • Little Adventurer, d’après Paul Klee (2016-2017), 6′, for soprano saxophone, accordion and viola, to be premiered by Ars Nova and Proxima Centauri in July 2017 during COMPOLAB academy.
  • Mas o Menos, hommage à Frank Stella (2016), 5′, for Piano, Violin, Viola, and Cello. Written for Quatuor Kaliste. Premiere in Bruxelles in June 2018.

 

Solo:

 

  • Étude de Distorsion, (2016) 2′, for solo Piano. Premiere in April 2017 by Thierry Gasset, dedicated to Philippe Boesmans.
  • Anach, (2015), 8′, for solo Violin. Written for Jeanne-Marie Conquer, from the Ensemble Intercontemporain

 

 Electronic Music:

 

  • Slih’a (2015), 3′, for B flat Trumpet and electronics. Premiered in Poitiers in April 2015 by Cécile Dupont.

 

Works in progress :

  • Concerto for Cello and Ensemble (15-20′), 2018-2019.
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